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Ozzy Osbourne, the Prince of Darkness

This subreddit is a database for fans of the Heavy Metal singer Ozzy Osbourne.
[link]

Nate Diaz gets two fans to grapple each other in a Los Vegas casino

Nate Diaz gets two fans to grapple each other in a Los Vegas casino submitted by BabycakesJunior to MMA [link] [comments]

Map Idea for Unturned. Nevada

The map takes inspiration from spec ops the line where las vegas were destroyed by massive Sandstrom. Due to the zombie apocalypse, there is no cleanup effort and roads and buildings remain cover in the sand. The player has to keep cool or risk dying on thirst or heat stroke due to the heat. During the night it becomes cold and you must seak heat to survive. Sandstorms are somewhat frequent and come in destroy or damage player structures(also deals damage to players and unprotected vehicles). Animals are scarce and so is water, it rarely rains, and most lakes have dried up due to being covered in sand. A new item is a water drill that builds up water over a somewhat slow time. Area 51 is a dead zone due to a nuclear explosion(caused by the government to protect the secrets) where all high tier loot is. There are no farms and you must use grow beds to grow crops which are rare spawns in plant stores. There are military convoys where you can find scattered on what remains of roads. Nellis AFB is the local HQ of the Collation they give you various quests doing with aiding the locals. Bellagio is HQ for a looter faction. Scatter through the map are various survivor camps that you can trade with. In Los Vegas casinos you can find casino coins that can be used on casino slot machines for the rare money payout but must be powered. A new enemy is a raider, which roams in by themself or up to groups 5, they carry various weapons and are hostile to the player. Killing them drops weapons, food, water medicine. Also, Collation and Looter have riders which by killing them affect your standing with them. from friendly to shoot on sight(Only affects raiders) however these guys have better loot than the normal raider.
Other towns are but limited to
  1. Reno
  2. Carson City
  3. Boulder City
  4. etc.(I don't live in Nevada)
New weapons are
New Vehicles
This post was inspired by Youtuber manoman video "Unturned Has A Map Problem"
submitted by TheFuriouswc to unturned [link] [comments]

The Victor Diaz Party

Our group, Ad Victorum, Does a lot of kooky things. This is the tale of a party gone fabulous.
To start let us look at the setting. We are at an inn that would be classified as a Dive Bar to start in a city that is famed for being the D&D equivalent of Los Vegas. Casinos, Strip clubs, drugs, and prostitution is abundant in the city, so this party wouldn't need to be anything major. Victor, our bard decides he wants to throw a huge party to celebrate us having arrived in town and to announce that we are here. My character, a tiefling warlock who is native to this city, has enough contacts to get what he requested. Below is the list I was presented with.
Dancers Alcohol Card Dealers A Bouncer and the D&D equivalent of Ecstasy and Viagra mixed.
Easily done for Scorn(my tiefling) who is a Charlatan that makes a living pretending to be different people, and after a few hours, all the help arrives, as well as a illusionist who can do the light tricks we were looking for, turning this dive bar into essentially a rave.
Unbeknownst to myself, the bard, my wizard companion, and another member of the party, the groups Rogue had a hyper potent Philter of Love made and mixed it into the alcohol with the "Ecstasy" we spiked the alcohol with. This should make for an eventful night.
The entertainment gets started, and as part of the show my character, who mind you, is used to this city and has a +9 in performance, begins a pole dance for the 100+NPC crammed into this dive. I am upside down, twirling, when a werewolf bursts through the front door. Luckily the three of us who noticed rolled a high initiative.
I went first in combat and was able to stick Hold Person on the werewolf, while the bard cast levitate. We then pushed it outside, were the magic sword wielding rogue and I proceed to stomp a mud whole in its ass before returning to the party. Turns out the bouncer I hired was on some new form of drug that is pushing out lycanthropy to people, and that is who we had to kill.
#the dm's face when the WW did not get a single attack off #the dm's face when the party did not stop

Flash to 3 hours later and the party had divulged into a giant orgy. Needless to say the next morning we ended up hiring some npc's to clean the inn of the....leftovers.

The things that happen in D&D.
Special thanks to the group for our fun shenanigans, especially the DM. Also thanks to my wife, who plays with us, and allows me to get away with such nonsense.

submitted by tlaughman to DnD [link] [comments]

Los Angeles Councilman Charged, Allegedly Accepted Over $250k in Las Vegas Casino Chips as Bribe

Los Angeles Councilman Charged, Allegedly Accepted Over $250k in Las Vegas Casino Chips as Bribe submitted by cognac-n-cannabis to vegas [link] [comments]

El gobernador de Nevada ordenó el cierre por un mes de todos los casinos en Las Vegas para frenar el coronavirus

El gobernador de Nevada ordenó el cierre por un mes de todos los casinos en Las Vegas para frenar el coronavirus submitted by tuidelescribano to redditores [link] [comments]

Some Las Vegas casinos allow Instagram photos at gaming tables - Los Angeles Times

Some Las Vegas casinos allow Instagram photos at gaming tables - Los Angeles Times submitted by g4m3f33d to GameFeed [link] [comments]

TIL that the Luxor Casino in Las Vegas has a beam that the FAA officaly listed it as a flight way point and that it can be seen from Los Angeles

TIL that the Luxor Casino in Las Vegas has a beam that the FAA officaly listed it as a flight way point and that it can be seen from Los Angeles submitted by StagedImpala to todayilearned [link] [comments]

Vegas City and Decentral Games ofrece a los jugadores del Casino Flamingos una ciudad Mega Gaming construida sobre la cadena de bloques Ethereum

submitted by Crypto-Economy to CryptoeconomyES [link] [comments]

Lucky Dragon casino was supposed to be a Vegas hot spot for Asians. Two years later, it's going up for auction - Los Angeles Times

Lucky Dragon casino was supposed to be a Vegas hot spot for Asians. Two years later, it's going up for auction - Los Angeles Times submitted by udonbeatsramen to asianamerican [link] [comments]

[Djellit - Pogba Update]: After Miami and Los Angeles, Pogba is on his way to Las Vegas. Vegas is better known for it's casinos than its medical centres.

[Djellit - Pogba Update]: After Miami and Los Angeles, Pogba is on his way to Las Vegas. Vegas is better known for it's casinos than its medical centres. submitted by manudevil7 to reddevils [link] [comments]

TIL that the Statue of Liberty forever stamp mistakenly depicts the Los Vegas replica outside the New York-New York Casino Hotel.

TIL that the Statue of Liberty forever stamp mistakenly depicts the Los Vegas replica outside the New York-New York Casino Hotel. submitted by CommodoreZool77 to todayilearned [link] [comments]

como me siento jugando en los casinos de las vegas

submitted by nanomx to mexico [link] [comments]

Estoy encargado de la caja fuerte de un casino en las vegas, miren lo que me encontré en las monedas Rechazada.

submitted by zeta3232 to ElSalvador [link] [comments]

LOS ANGELES TO LAS VEGAS SCAVENGER HUNT Grand Prize:$1500 & 1 Nights Stay Aria Hotel and Casino www.nfshunt.com

submitted by NFSHUNT to Scavenger [link] [comments]

When the league inevitably expands to 32 teams, here are the ten cities that I think should be considered for the two expansion franchises.

SEATTLE

It goes without saying, but one franchise should definitely end up in Seattle, as the Supersonics of course. It's been quite a letdown for the city that PBC moved the team to OKC after their acquisition of the team. The city is now updating the Climate Pledge Arena, formally known as the KeyArena, (one of the reasons for the team's relocation) with the arrival of the NHL team, the Seattle Kraken. The Sonic fans have been clear and vocal since the move that they could still support an NBA franchise without a doubt.  

KANSAS CITY

The state of Missouri surprisingly does not house an NBA franchise and hasn't since the departure of the Kansas City Kings in 1985. The city seems to support their professional sports franchises and has an arena downtown that could be suitable for the potential NBA team (with some renovating I'd presume - it seems nice but I am not familiar enough with the facility). It seems the market is significant enough to support an NBA franchise so it should be an option.  

CINCINNATI

The city has an MLB and NFL franchise, so it is not inconceivable that they could support an NBA franchise (being that they did up until 1972 with the Cincinnati Royals, before they moved to Kansas City). I'm not sure who the NBA fans in Cincinnati support, but I'm guessing the Cavs aren't popular enough to have strong support across the entire state of Ohio. Kentucky, just south of the city across the Ohio River, has a significant passion for basketball, so that could fortify the market/support for the potential team. A lot has changed since the early seventies but it is still a question whether or not they could fund a new arena in the city or they can just renovate the arena downtown (Heritage Bank Center).  

LAS VEGAS

Las Vegas is clearly a viable option for an additional professional franchise after the city has proven it can support the Golden Knights and, seemingly, the Raiders (who already have a broad fanbase). They have a viable arena to play in and can gain support with tie-ins with the casinos to help occupy the arena with visitors as they develop a local fan base. The NBA already has a presence there with summer league as well so I can see it happening.  

TAMPA BAY

I guess we will get a general idea of how much the city can support an NBA team with the Raptors playing in the city for the upcoming season (obviously without attendance given the circumstances). The Rays have their issues with attendance and the Bucs are perennial losers sans a few years in the late nineties-early 2000s (I've actually been a big Bucs fan since 1997, as I grew up in Los Angeles with out an NFL team at the time), so it is up for debate if they can support an NBA team, especially with Orlando being so close by. It is a significant market and the Lightning seems to garner a lot of support and have a nice arena downtown they could share with the potential NBA franchise (something they'll be doing this year), so it seems feasible.  

SAN DIEGO

This poor city, a city I love and plan on moving to one day, has lost two professional franchises to Los Angeles (and the Rockets to Houston). Both the Chargers and Clippers should still be in SD in my opinion, given their putrid reception in Los Angeles and the significance of the city of San Diego. The Clippers are still not accepted in Los Angeles after all these years and are only there because dumbass Donald Sterling forced the relocation in the 80s. The city has struggled to fund stadiums in the past but it would be great to see an arena downtown, a la Petco Park. Worst case, they renovate the Pechanga Arena (formerly known as the San Diego Sports Arena) but realistically I'm not sure the city wants an NBA franchise, I have no clue.  

VANCOUVER

No reason to think they couldn't support an NBA franchise again. Basketball has grown tremendously in Canada since the days of the Vancouver Grizzlies and the country has produced several high-level players in recent years. The Raptors are the lone team north of the border, so no reason to think a second team isn't viable. Vancouver has Rogers Arena ready to go so there wouldn't be an issue with an arena for the potential team.  

PITTSBURGH

Look, Pittsburgh could barely support the Pipers back in the ABA days (albeit a long time ago), so I'm not sure how popular basketball is in the city. It is not a huge market but the city shows strong support for the Steelers and Penguins (and I'm sure the Pirates to some extent even with their decades-long struggles). I think Pittsburgh is a beautiful, underrated city, with PNC Park being my favorite MLB ballpark. The potential team could share the arena with the Penguins so there wouldn't be an issue having to fund a new arena. Also, I know the city loves the black/yellow color scheme for their franchises so that is one less thing to worry about.  

ST. LOUIS

As mentioned above with Kansas City, it is surprising the entire state of Missouri doesn't have at least one NBA team. St. Louis had the Hawks for 13 years, before they moved to Atlanta, and housed the fabled Spirits of St. Louis of the ABA, so no reason to think the city couldn't support an NBA franchise again. I highly doubt both cities mentioned would get both expansion franchises, so I'm not sure which city is the more viable option. The team could share the Enterprise Center with their NHL team, the Blues, so there wouldn't be an issue funding an arena.  

BALTIMORE

I know it is very close to DC, but if DC and Baltimore can both support an NFL and MLB team, why can't Baltimore support an NBA franchise again, being they had an NBA franchise (that moved to DC, coincidently) in the past. I know the city has had its struggles for some time, but it seems like a possible landing spot to consider. I am not familiar with the condition of the Royal Farms Arena, but the team would ostensibly have a suitable arena to play in.  
 
submitted by cavallom to nba [link] [comments]

Mafia IV Location Revealed: Los Ondas?

Mafia IV Location Revealed: Los Ondas? submitted by RevenantSith to MafiaTheGame [link] [comments]

[FIGHT THREAD] Jermell Charlo vs Jeison Rosario, Jermall Charlo vs Sergiy Derevyanchenko, Luis Nery vs Aaron Alameda, Brandon Figueroa vs Damien Vazquez, Danny Roman vs Juan Carlos Payano, John Riel Casimero vs Duke Micah + live round-by-round coverage

Date: Saturday, September 26, 2020
Time: 4:00 PM PT, 7:00 PM ET, 12:00 AM BT
Location: Mohegan Sun Casino, Uncasville, Connecticut
Television: Showtime PPV (US)
Stream: Showtime (US) Fite TV (Non-US)

Jermell Charlo vs Jeison Rosario

12 rounds

WBC world super welterweight title

IBF world super welterweight title

WBA super world super welterweight title

Charlo vs Rosario
33-1 (17 KOs) vs 20-1-1 (14 KOs)
30 age 25
153.8 lbs weight 153.4
5'11" height 5'11"
73" reach 70"
orthodox stance orthodox
Houston, TX 🇺🇸 hometown Santo Domingo, DR 🇩🇴
4-1 (3 KOs) last 5 5-0 (3 KOs)
-500 moneyline +350

Luis Nery vs Aaron Alameda

12 rounds

vacant WBC world super bantamweight title

Nery vs Alameda
30-0 (24 KOs) record 25-0 (13 KOs)
25 age 27
121.4 lbs weight 121.6 lbs
5'6" height 5'6"
66 1/2" reach 67"
southpaw stance southpaw
Tijuana, MX 🇲🇽 hometown Nogales, MX 🇲🇽
5-0 (5 KOs) last 5 5-0 (3 KOs)
-2500 moneyline +1000

Danny Roman vs Juan Carlos Payano

12 rounds

eliminator for WBC super bantamweight

Roman vs Payano
27-3-1 (10 KOs) record 21-3 (9 KOs)
30 age 36
121.2 lbs weight 121.6 lbs
5'5" height 5'5"
68" reach 64 1/2"
orthodox stance southpaw
Los Angeles, CA 🇺🇸 hometown La Vega, DR 🇩🇴
4-1 (1 KO) 3-2 (0 KOs)
-2000 moneyline +900

Jermall Charlo vs Sergiy Derevyanchenko

12 rounds

WBC world middleweight title

Charlo vs Derevyanchenko
30-0 (22 KOs) record 13-2 (10 KOs)
30 age 34
159.8 lbs weight 159.4 lbs
6'0" height 5'9"
73 1/2" reach 67 1/2
orthodox stance orthodox
Houston, TX 🇺🇸 hometown Brooklyn, NY 🇺🇦
5-0 (2 KOs) last 5 3-2 (2 KOs)
-225 moneyline +175

Brandon Figueroa vs Damien Vazquez

12 rounds

WBA world super bantamweight title

Figueroa vs Vazquez
20-0-1 (15 KOs) record 15-1-1 (8 KOs)
23 age 23
122 lbs weight 121.4 lbs
5'9" height 5'5"
72" reach
orthodox stance southpaw
Weslaco, TX 🇺🇸 hometown Thornton, CO 🇺🇸
4-0-1 (4 KOs) last 5 3-1-1 (2 KOs)
-5000 moneyline +1400

John Riel Casimero vs Duke Micah

12 rounds

WBO world bantamweight title

Casimero vs Micah
29-4 (20 KOs) record 24-0 (19 KOs)
31 age 29
117.8 lbs weight 117.2 lbs
5'4" height 5'7"
64" reach
orthodox stance
Ormoc City, PHI 🇵🇭 hometown Accra, GHA 🇬🇭
5-0 (5 KOs) last 5 5-0 (2 KOs)
-1200 moneyline +700

Live round-by-round coverage

Jermell Charlo vs Jeison Rosario

Round 1

Charlo starts with a body jab. Rosario looks to be the bigger of the two. Very wide back. Charlo hard right to the body. Rosario measuring with his jab. Rosario down from a left hook to the temple. Charlo missed a big looping right and Rosario tried to coutner big and he ate a shot. Rosario not bothered, he's back putting pressure on Charlo. Hard body shot from Rosario. Charlo looks a little wild with his power shots. He's definitely looking to make a statement. Charlo with a quick pair of hooks.

Charlo 10-8

Round 2

Rosario lands a good jab. Both guys trade jabs. Heavy leather from both of these guys even with the jabs. Charlo lands a hard jab. Good left to the body, left upstairs for Charlo. Rosario nice pair of body shots. Charlo with a pair of nice hooks upstairs. Rosario nice right hand. Charlo looks like he is feeling that one. Uppercut from Rosario. Rosario ramping up the pace.

Rosario 10-9, 19-18 Charlo

Round 3

Charlo jab to the body. Rosario jabs. Charlo slowing his workrate. Charlo tying up Rosario when he gets on the inside, not letting him work. Charlo scores with his jab. Rosario stalking, Charlo pops him with the jab. Rosario with a right and Charlo ties up. Charlo showing off some head movement. Rosario blocking very well.

Rosario 10-9, 28-28

Round 4

Charlo pumping the jab. Both guys miss big right hands. Rosario with a pair of body shots. Charlo doing a lot of waiting and not letting his hands go. Rosario's right blocked. Charlo jab but he eats one. Rosario short little right. Charlo with a looping left hook. Rosario trying to cut the ring off on Charlo. Big left from Charlo and Rosario lands a right. Jab from Charlo. Very close round. Charlo effective with his jab and defending from Rosario. Rosario pressured but wasn't able to land much that stood out.

Charlo 10-9 (swing), 38-37 Charlo

Round 5

Rosario nice jab and right sneaks in. Charlo left to the body. Charlo boxing off the back foot. He lands a very clean left hook. Jab scores for Rosario. 1-2 from Charlo. Rosario has to jump back. Rosario pops him with the jab. Another left hook counter from Charlo. Charlo eats a jab. Charlo starting to fall into a rhythm with his counter punching. Another close round.

Charlo 10-9 (swing), 48-46 Charlo

Round 6

Good counter left from Charlo. Rosario came out aggressive and Charlo turned and countered. Charlo double jab. Rosario good jab. Rosario with yet another low blow. Hard jab from Charlo. Jab from Rosario connects. Charlo circling the ring. Hard right from Charlo, Rosario may have hurt Charlo as Charlo held. Good body work from Rosario. Charlo straighrt right. These guys throwing big shots and missing. Big left from Charlo and down goes Rosario to a knee. Rosario looks hurt. He'll be saved by the bell. Bad timing as Rosario was having a great round.

Charlo 10-8, 58-54 Charlo

Round 7

Rosario comes out and continues to put the pressure. Rosario with a high guard. Charlo staying disciplined comes out and works his jab. They trade jabs. Rosario high guard walking forward. Again they trade jabs. Charlo looping right. Charlo jabs then goes to the body. Charlo jabs.

Charlo 10-9, 68-63 Charlo

Round 8

A jab to the chin and body and down goes Rosario. He's down and he can't make the count. Jermell Charlo with a brutal body shot knockout!

Official Ruling: Jermell Charlo by KO8

submitted by noirargent to Boxing [link] [comments]

Future of the franchise

Here are my ideas to what they should do for the future games
Mafia I Remastered (Upgrade to next gen graphics, fix the lighting and the few glitches. Change some things like when you fill up your gas tank show Tommy doing it like in Mafia II instead of what we got now, change the drive by it’s too easy, give us the option to change clothes in the story instead of just in free roam and add all the golden guns too. Change the way he goes up and down a ladder because that’s exactly like Lincoln Clay, change how he throws molotov and also change how he takes cover because that’s also exactly like Lincoln. Also change the way npc’s react when they’re shot or shot at and make them smarter. Add rival gangs so we can fight them in free roam. Make the bullet holes on npc’s and Tommy better. Add some things like trams, trains, a wanted system exactly like Mafia II, places to eat, ability to smoke, clothing stores, vehicle customizations, trafic lights so we can get a ticket when we run over red light, maybe some ambulances that can arrive when people die and make the police do a crime scene where the people died, more free roam missions where you could be inspired by the ones in the original Mafia and some more scores to the chapters. I love the scores that are there now but sometimes it gets a little repetitive and could be refreshing if there were something new. I know this is a small thing and I also know that you can see it on the map but I would love for them to write the date of the chapter when the chapter loads up like in Mafia II.)
DLC: Don Peppone (Everybody would love to see this. We all wants to see what happened. Let the game take place in 1910s to late 1920s. Let’s see a commission meeting with the big names from Mafia II, III, IV and V when Don Morello and Don Salieri became rivals. Show Carlo’s father. Maybe we could also see Alberto Clemente get his family accepted at the commission meeting in 1929. Show how Paulie and Sam got accepted into The Salieri Family. Would also have loved to see a cameo of Don Vinci to see the friendship between Don Salieri and him.)
DLC: Mafia II Mobile (This is a really good story that only a few has tried. It takes place in 1938 about a protagonist called Marco Russetto who is the nephew of Vincenzo. He travels to Empire Bay to find Tommy Angelo after he betrayed The Family. He starts working for Henry Tomasino. Look up the story it’s really interesting he works for Don Falcone and Don Vinci. He ends up in prison at some time also. There are some things in the story that you would have to change so it would make sense but this really does have potential. Plus if you created this Empire Bay map then you could use it for a Mafia II Remake.)
Mafia II Remake (It needs it. It truly needs it when you look at all the things that where scrapped. Add all the cut content. Add some amazing next gen graphics and a fantastic engine. Don’t change the characters look or voice since this game has the best voice acting in the world. Add more chapters to it so it would be longer and fill out the holes in the story. And let’s see more background to the characters. Maybe add some countryside to expand the Empire Bay map. Make some references to Los Ondas and the mobsters there. Make also some references to Mafia III and IV characters. Let’s see the return of the cigarette cards where we see the big mobsters of the 40s.)
DLC: Vinci-Moretti War (Very interesting story. We would love to see why this war happened and to see how Don Falcone and Eddie Scarpa took over after Don Moretti died. To see a younger Leo Galante and Don Vinci in the war and how they acted. Would also love to see how Alberto Clemente took over Don Moretti’s and Don Vinci’s businesses. That would explain why Leo Galante hated Alberto so much. You could maybe include Fredo Clemente somewhere there and maybe see Alberto give Henry Tomasino a job and Luca Gurino’s involvement. Let’s see more to Jack Olivero and Tony Balls since he was the driver in the car with Don Moretti where Steve Coyne planted the bomb and killed Don Moretti. Show how Derek Pappalardo was involved in the war and how he got rewarded the docks.)
DLC: Joe’s Adventures Remake (To this one they need to add cutscenes. Interesting point of view to see it when Vito was in jail but it lacked cutscenes. Let’s hear more about Tony Balls and Rocco.)
Mafia III Remake (A game with a lot of good elements, great story and great characters. Fix all the glitches and lighting. I had 2 problems with this game. Number 1 was that it was really repetitive. I don’t feel it had a good reply value like the other 2 games. I think this remake should make it chapter to chapter based so we don’t have to take over all those rackets again and again. Number 2 was that I didn’t feel it was so connected to the franchise. I felt with a remake where you add some chapters and some voice recording where you hear about some of the characters from Mafia I, II and IV would help a lot. And as I stated below I think Mafia IV should be a prequel to Mafia III being set in the gap of Mafia II and Mafia III. So therefore you could add Mafia III characters to Mafia IV’s story. Since it’s the 30th anniversary of The Salieri Family case then they should add a newspaper about it. Maybe tell that Detective Norman has retired. Make some references to Los Ondas and the mobsters there. Add again the cigarette cards and show the big mobsters of the 60s)
DLC: All Saint’s Day Massacre (It would be amazing to have a prequel to Mafia III about Sal Marcano and his brothers to see how they took over New Bordeaux. Let’s see how Sal tricked his brothers to kill Don Carillo and how Valerio Marcano died and let’s see some background to Sal’s brother Lucio. It would also connect us more to Mafia III’s story where this is the Marcano Family’s rise and Mafia III is their downfall. Would love to see a commission meeting with Sal where he introduces himself as the new don of New Bordeaux. Let’s see some more to Roman Barbieri, Frank Pagani, Gianni and Tony Derazio and Enzo Conti and how they got recruited. Let’s see Thomas Burke and Sammy Robinson and the rest of the Black Mob and how they ended up working for Sal Marcano and maybe their problem with the Haitians.)
Mafia IV (Set as a prequel to Mafia III in Havana and Florida. Inspired by Godfather II and Meyer Lansky’s story. Tell the story about Fredo Clemente. Let’s see Sal opening his casinos in Havana and how Tommy Marcano got to work for him. Let’s see the other families settling down in Havana. How did Fredo react when his brother died and wouldn’t he kill the 2 who did it? Maybe some families from other states where causing trouble. Maybe the families from Pennsylvania would like a slice of the casinos. Let’s see an introduction to Louie Romeo just to see him. Tell more about Nino Santangelo since he is cuban. Since the events of this game is taking place before Mafia III maybe we could see what happened to Lucio Marcano when he died in 1962. Make some references to Los Ondas and the mobsters there. Add again the cigarette cards and show the big mobsters of the 50s.)
DLC: Pennsylvania (Inspired by The Irishman, The Pittsburgh Family and The Bufalino Family. Let’s see some of the Mafia there and how they wanted to take control of some of the casinos in Havana. Show their connections to The Empire Bay families. Maybe Louie Romeo could be from this state.)
Mafia V (Inspired by Casino and Mickey Cohen’s and Bugsy Siegel’s story. Now this should be about Los Ondas and how the Mafia wanted to take control on the West Coast. Los Ondas should be Los Angeles and Las Vegas combined. It should take place from the 30s-80s. Let’s see when the commission from the East wanted Louie Romeo to make their move on the West. It would be interesting to see Los Angeles in the 40s-50s and Las Vegas in 70s-80s. Let’s see a war in the Las Vegas strip. This would take place at the same time as the other mafia games so make some references and cameos from the characters from the other games. Maybe Fredo Clemente and Louie Romeo could be in war so you could see it from 2 different perspectives. Mafia IV would be Fredo’s perspective and Mafia V would be Louie’s perspective. Since it also takes place after the events of the other games let’s see what happened to the families in those citys. Like we could see who was running Lost Heaven after the 30’s and who ran Empire Bay after the chaos that Vito, Joe and Henry has caused.)
DLC: San Francisco (Maybe a map expansion and show how the family operated there.)
submitted by samircorleone to MafiaTheGame [link] [comments]

What Happened to Mitrice Richardson?

What really happened to Mitrice Richardson the night she disappeared?
In the early morning hours of September 17th, 2009, a beautiful young woman named Mitrice Richardson was released into the night from police custody without a phone, or any way to get home. Her body was found almost a year later. The mysterious circumstances surrounding her death remain unsolved.
On the evening of September 16, 2009, The Los Angeles County Sheriff’s Department from the Malibu/Lost Hills Station received a call from the affluent, upscale restaurant of Geoffrey’s, with the employees of the establishment claiming a woman was acting erratically, bizarre, and was refusing to pay her bill.
Beginning otherwise as a typical Southern Los Angeles Wednesday afternoon, 24-year-old Mitrice Richardson graduate of Cal State Fullerton, who normally had dinner with her great grandmother on Wednesdays, decides to switch course. Feeling compelled to embrace the cool breeze of the ocean on her skin, she heads to Malibu and begins her 40-mile trek along the Pacific Coast highway.
As Mitrice ventures into the outskirts of Malibu, just as the sun begins to set, she is captivated by the luminescent beams of lights beating off the golden sign of Geoffrey’s and makes the decision to pull into the restaurant, a pivotal decision that would change the lives of many as they knew it.
Mitrice pulls into the parking lot of Geoffrey’s and is greeted by the Valet. He quickly lets her know it is valet parking only and rushes off to park another guest’s vehicle. When he returns he finds Mitrice no longer in her vehicle, but in his vehicle rummaging through his CDs and speaking in broken sentences. Startled and frazzled the Valet asks what Mitrice is doing in his vehicle and she responds “I’m here to avenge Michael Jackson's death”. The Valet removes Mitrice from his vehicle and ushers her in the direction of the restaurant.
The unusual behavior of Mitrice doesn’t end there. Mitrice orders a $65 steak and cocktail and notices a lively bunch enjoying their meal a few tables over, with a smile never leaving her face, she asks to join them. The group is intrigued by Mitrice’s abnormal behavior but welcomes her to their table. Mitrice goes on to talk about how she is from Mars, her mother was mother earth, and the ocean was calling her. Once the group settles their bill and exits the restaurant, Mitrice attempts to follow but is stopped by the manager as she has did not pay for her bill. Not appearing hostile or angry, the manager asks if there is anyone they can call to pay the bill for her after she claimed she didn't have any money.
At approximately 9:30 pm, 91-year-old Mildred Harris, Mitrice’s great-grandmother, receives a phone call from Geoffrey’s. She attempts to give her credit card information over the phone to settle the bill, but they could not accept it without a signature. With no way to pay her bill, the employees of Geoffrey’s contacted the Los Angeles County Sheriff’s Department about Mitrice.
60 miles away in Eastern Los Angeles, Mitrice’s mother, Latice, is made aware of the unusual situation occurring at that very moment. She calls Geoffrey’s directly and finds out Mitrice has just been taken into custody by the officers. They go on to tell her about the behavior Mitrice had displayed, and that Mitrice’s vehicle was about to towed to a location very close to the restaurant, but far from the Lost Hills Station where the police had taken Mitrice. Feeling helpless, and unsure what to do, Latice calls the Lost Hills station and confirms with the deputy a woman is en route to the station from Geoffrey’s. Unable to pick up her daughter from the station, Latice is worried about Mitrice’s well-being and doesn’t want her released in the middle of the night without a phone or vehicle. The Deputy assures Latice that she will be contacted once Mitrice arrives at the station, but that call never came.
As soon as Latice wakes up the following morning she calls the Lost Hills station hoping to figure out how to get Mitrice home. She is told that Mitrice was released 5 hours earlier at about 12:30 am. They claimed they had no reason to hold her because she had no criminal record and was not exhibiting signs of mental incapacitation, despite her unusual behavior. Mitrice was released into the dark gloomy night without any form of communication, transportation, or assistance from officers. According to Steven Whitmore of the Los Angeles County Sheriff’s Department, officers said, “You can stay here if you wish. You can stay in a cell, but you can stay here, but she declined that offer”.
Panic begins to set in as Latice becomes aware Mitrice has not spoken to anyone since being released from the station, and she realized the moment she had feared the most was here. Immediately sensing something was not right, Latice calls back the Sheriff’s Office and asks how long she would have to wait to file a missing person’s report. The Deputy, seeing Mitrice was released just hours ago, encourages her to wait 24 hours before reporting her missing. With nothing left to do but wait, Latice questions how Mitrice could have possibly been released without a mental evaluation?
At about 6:30 AM that Thursday morning, The Los Angeles Sheriff’s Department receives a call from a Monte Nido community resident, located about 7 miles from the station. The resident, a former news anchor, reported a young, strange woman was in his backyard. When asked if she was okay, she responded that she was just “resting.” Once he called the police, she was gone. It was later confirmed that young woman was Mitrice Richardson by cadaver dogs that were able to catch her scent in his backyard.
But how did Mitrice get 7 miles away without her vehicle?
Monte Nido is a vast landscape of mountains and terrain, a location that would be difficult to navigate for a non-local, especially in the dark hours of the night. According to Mitrice’s family members, Mitrice was known to be afraid of the dark.
On September 18th, Mitrice’s family members gather together to discuss Mitrice's bizarre behavior in the days leading up to her disappearance. They begin to see the warning signs that something with Mitrice was not right. Mitrice had been sending erratic text messages, that did not make sense, almost gibberish. The day before she disappeared she visited her aunt’s house and left business cards from her go-go dancing job scattered everywhere. The strangest occurrence being an unusual note left on Latices husband windshield with “black women scorned” written across it, a smiley face, and had been signed off with a kiss.
In the days before Mitrice disappeared, she was posting unusual things on Facebook, and Myspace. Posting at all hours of the night, investigators were unable to understand when she slept. A psychologist that works with the LAPD assessed Mitrice was exhibiting signs of a mental health condition, possibly bipolar disorder.
During the subsequent investigation, the family of Mitrice is made aware they found money and her wallet inside her car, with officers somehow overlooking it the night she was arrested.
Days pass with unanswered questions, repeated attempts to get Mitrice’s police report are overlooked. Mitrice’s family attempts to access police footage of Mitrice at the station that night, but their request is denied. LAPD cited “they need to follow proper protocol in order to release information to the family,” and they had no footage to even give to Mitrice’s family.
Feeling like their pleas to police were going unanswered. The family of Mitrice hired civil rights lawyer, Leo J. Terrell, who assembles a press conference gathered in front of the Lost Hills Station on Thursday, September 24th, 2009, demanding action of the Police Department. Terrell said at the press conference “If Mitrices name was Spears or Lohan, they would have never let her walkout by herself. They would have escorted her home.”
Months later, as the New year quickly rang in, tensions between Mitrice’s Family and the Los Angeles Police Department continue to grow, a meeting is called between the Sheriff and Captain of Lost Hills. Things quickly take a turn when it comes to light the Police Department did indeed have footage of Mitrice the night she was arrested. They claimed they misunderstood, thinking Mitrice’s family was asking for footage of Mitrice outside the station not a video of Mitrice in the station.
On January 9th, 2010 the Los Angeles County Sheriff’s Department organized one of the largest searches in the history of LAPD. An 18 square mile search in Malibu Canyon with over 300 trained volunteers participating in air and ground searches. Mitrice was still not found.
Just 3 weeks later, and almost 300 miles away in Las Vegas, Mitrice’s Father, Michael Richardson, alerts authorities that he believes he saw his daughter Mitrice in an area known for prostitution on the Las Vegas Strip. Michael called out to Mitrice but lost her in the crowd. Latice firmly believes that wasn’t her daughter and believes she never made it out of Malibu Canyon.
On June 26th, 2010, Latice and her lawyer file 6 lawsuits against the LA County Sheriff’s Department for negligence and wrongful death. Around the same time, there is another sighting of Mitrice, by a high school friend. At around 3 AM, in a Las Vegas casino, he claimed to have seen Mitrice. He called out to her, but the woman appeared nervous and ran off.
On August 9th, 2010 Malibu State Park Rangers are hiking along the area of Dark Canyon, a vastly remote area, just a few miles from where Mitrice was last seen, searching for any illegal marijuana growing in the area. This area is said to be a very difficult place to stumble upon and very hard to get through. Upon their quest, they discover the mummified naked remains of an African American curly haired woman. Ignoring the proper protocol, the woman was airlifted out of Dark Canyon. The woman was later confirmed to be Mitrice Richardson. A ranch known for producing pornography was adjacent to where Mitrice was found, but no connection has been determined.
Multiple residents in the area reported to have heard screams in the area several nights after Mitrice disappeared, but despite this, Mitrice’s death was deemed not to be a homicide, and no foul play occurred. The cause of death was ruled to be undetermined.
What happened to this beautiful, intellectual, talented woman? Why would police let her go in the middle of the night with no phone or vehicle? Why was she acting so strangely? How did Mitrice end up dead in that creek bed? Too many unanswered questions have consumed the Richardson Family. We need to find out what exactly happened to Mitrice Richardson.
More info:
https://www.murdersandcoffee.com/post/what-happened-to-mitrice-richardson
https://www.latimes.com/california/story/2019-09-17/mitrice-richardson-reward-malibu
https://www.nbclosangeles.com/news/local/sheriff-updates-mitrice-richardson-disappearance-decade-late1965858/
https://en.m.wikipedia.org/wiki/Death_of_Mitrice_Richardson
What do y’all think happened to Mitrice? Do you think she succumbed to the elements? Or something sinister occurred to her that night? Share your thoughts!
I also wanna add her clothes were found scattered around her body. It would be unusual for her to undress and try to maneuver through that creek bed.
submitted by jordancottle to UnresolvedMysteries [link] [comments]

Possible Lead to MAFIA lV setting

I was playing Mafia 1 definitive edition when I got to a mission at the air port. so on the road to the Los Heaven airport there's a certain sign that shows departures it reads ,"EMPIRE BAY, MIAMI, NEW BORDEAUX, BOURBON CITY, HAVANA, TEXAS, CANADA, LOST HEAVEN" my possible theory is that the next game will take place in 70s Los Vegas which is known for its alcohol and since "Devs leaked it" (certain devs came out and said stuff take it with a grain of salt) I really think Bourbon City on the sign in Mafia 1 could be a possible leak to Mafia lV, (youtuber 'Sexy Biscuit' has a clip where he's at the airport talking about it, TIME STAMP 6:30)Mafia Definitive Edition| Free Roam Exploration| Part 1
submitted by ThomasLind4679 to MafiaTheGame [link] [comments]

A Cinematic Guide to The Weeknd: Pt 3. My Dear Melancholy and After Hours

A Cinematic Guide to The Weeknd: Pt 3. My Dear Melancholy and After Hours

My Dear Melancholy

Gaspar Noe/Cannes Film Festival
The My Dear Melancholy era notable for being a time when The Weeknd was in proximity to a lot of serious directors. While he’s had a foot in Hollywood for awhile, 2017 through 2019 he was actively engaging with filmmakers like the Safdies Brothers, Gaspar Noe, and Claire Denis, amongst others. While he had been actively courting the Safdies since Good Time was released, he attended the 2018 Cannes Film Festival where he crossed paths Noe, whose film Climax took home a number awards at Cannes. Noe’s Enter the Void had previously served as an inspiration for Kiss Land, and for MDM (and later After Hours) seem to call back to Noe’s other films, like Irreversible and Love, which are both twisted depictions of heartbreak. On the other hand, Climax is about a French dance troupe who accidentally take LSD, and according to Noe is not a “message” movie. It is an audacious psychedelic technical exercise, with numerous long takes and highly choreographed set pieces. The idea for Noe, who had previously captured the feeling of drugs in previous films, was to do the opposite, and present the objectively reality of drugs, watching people high from a sober perspective.
Noe is a rather strong advocate of film, and the opening scene of Climax features VHS boxes of a number of films that have influenced his filmmaking. Two of note are Schizophrenia, otherwise known as Angst, one of Noe’s favorite films which The Weeknd name checked to the Safdies, and Possession, which would go on to be an influence on After Hours (more on this later). He is also said to have sat next to Benicio Del Toro at Cannes, which means he likely caught some of the Un Certain Regard section, where Del Toro served as a jury member. Outside of that section, there were a few other films of interest such as The House That Jack Built from Lars Von Trier (The Weeknd has previously expressed affection for Von Trier’s Antichrist), Mandy from Pastos Costamos, and music video director Romain Gavras’s The World Is Yours, as well as a restoration of 2001: A Space Odyssey, which Noe has referred to as the film that got him into filmmaking.
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Asian Cinema
Later in 2018, The Weeknd continued his globetrotting with a tour of Asia. He once claimed in an interview that whenever visiting a foreign country he only watches films from there. I’ve previously written about the influence of Asian cinema on Kiss Land, and there’s not enough work from the MDM era to glean anything cinematically adjacent to this, but now would be a good time to mention that the "Call Out My Name" video was heavily inspired by the work of famed Japanese photographer Hiroshi Sugimoto. The Asian tour poster seems to be a reference to Ichi the Killer, which leads us to Takashi Miike. Though he is notoriously prolific across a number of genres, his most popular works internationally are genre melding blends of horror, comedy and crime, most notably Audition, Ichi the Killer and Gozu. Another film worth mentioning is Perfect Blue, Satoshi Kon’s masterwork about a pop star’s mysterious stalker that The Weeknd posted about on Instagram before. Bloody and haunting, the film was a major influence on Darren Aronofsky’s Black Swan and Requiem for a Dream. In Interviews he has also mentioned a number of Korean films, such as The Wailing, I Saw the Devil and Oldboy. While Wong Kar Wai was previously mentioned as an influence on Beauty Behind the Madness, also worth mentioning is the work of John Woo, specifically A Better Tomorrow, well known for the shot of smoking a cigar off money, and Infernal Affairs, Andrew Lau’s crime classic which served has the basis for Scorsese’s The Departed.
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After Hours

Martin Scorsese
While After Hours more so than any other Weeknd album is bursting at the seams with cinematic references, the influence of Martin Scorsese stands above all. Similar to The Weeknd’s body of work, many Scorsese’s are explorations of violence and masculinity, investigating them from a perspective that depending on who you ask (and how they’re feeling) glamorizes, condemns or just simply presents the reality of characters on the fringes of society.
While there are direct references to a number of prominent Scorsese films, what’s interesting is that his influence also reverberates in other films/filmmakers that influence After Hours. Todd Phillips’s Joker is in effect an homage to Scorsese’s loner-centric New York films, and the Safdie Brothers have been putting their own millennial spin on the type of 70s gritty thriller that Scorsese trafficked in (Scorsese was also a producer on Uncut Gems). Specific Scorsese works will be discussed more in depth in the requisite sections, but it is worth mentioning upfront what a prominent role that Scorsese plays in the nucleus of After Hours.
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Urban HorroIsolation
With After Hours, The Weeknd departs from the slicker sounds and influences that permeated Starboy and returns to the cinematic grittiness of Beauty Behind the Madness. While urban horror is a theme that permeates throughout The Weeknd as a project overall, there is a thorough line to be drawn here that follows a number of 70s and 80s cinematic and aesthetic references. For one thing, while the initial bandaged nose was a reference to Chinatown (previously, The Weeknd has a Kiss Land demo titled "Roman Polanski"), the full bandaged face that is so prominently featured throughout the After Hours era is a classic cinematic visual trope that was especially prominent throughout 60s and 80s, though it saw a slight re-emergence in the 2010s. The fully bandaged face is often used to remake someone in the image of another, usually against their will (The Skin I Live In, Eyes Without Face), or as a case of mistaken identity and doppelgängers (Good Night Mommy, Scalpel), themes present throughout much of After Hours. The "Too Late" video acknowledges these references, but instead presents the bandages on two Los Angeles models recovering from plastic surgery, in a nod to a famous Steven Meisel’s photoshoot for Vogue Italia.
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The “masks” people wear is another horror trope that is featured prominently on After Hours, and this is best seen in the red suit character. One important reference in the film is to Brian De Palma’s Dressed To Kill, where a serial killer is targeting the patients of a psychiatrist (any more on this film will veer towards spoiler territory). The Weeknd is on the record as saying Jim Carrey’s The Mask as being a large influence on the Red Suit character, it being one of the first film’s he watched in theaters. One of the more complex references would be to Joker. While it sort of an in-joke that the character of the Joker is commonly overanalyzed and misinterpreted, referencing Todd Phillips’s Joker is more nuanced because it is in essence a full on homage to Martin Scorsese’s New York films, most notably Taxi Driver and The King of Comedy, which focus on eccentric loners, and can both be seen as cautionary tale of urban isolation, a theme explored perhaps in songs like "Faith." The King of Comedy revolves around a would be obsessive stand up Rupert Pupkin haggling his way to perform on late night TV, with The Weeknd’s talk show appearances being a prominent part of the early After Hours marketing, most notably in the “short film”. This idea of isolated and compressed urbanites recurs throughout After Hours and it’s films.
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The idea of urban repression is in the subway scene of the After Hours short film. The entire film itself is something of a reference to the subway scene to Possession (another Gaspar Noe favorite), mimicking the (also subway set) scene in which Isabelle Adjani’s Anna convulses on the subway due to a miscarriage, as well as Jacob’s Ladder, a 90s cult classic horror film starring Tim Robbins as a Vietnam vet (like Taxi Driver’s Travis Bickle) who is experiencing demonic hallucinations, encountering them in the subway and later at a party he attends, splitting the scene into two.
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Las Vegas
As always, The Weeknd once again grounds After Hours with a strong sense of place, this time setting the album against a nocturnal odyssey through Las Vegas. One of the most prominent films is Fear and Loathing in Las Vegas, Terry Gilliam’s adaptation of Hunter S. Thompson’s book. This is directly referenced in the "Heartless" video, which sees The Weeknd and Metro Boomin in the Johnny Depp and Benicio Del Toro roles as they tumble through a Las Vegas casino. The Weeknd has gone on the record to state that the famous red suit character was influenced by Sammy Davis Jr.’s character in the film Poor Devil. However, similar red suit has also been sported by a number of Vegas characters, most notably Richard Pryor and Robert De Niro’s Sam Rothstein in Martin Scorsese’s Casino. With the red suit, The Weeknd seems to be playing with the idea of a devil-ish other, another side of his personality that emerges in Las Vegas.
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While the city lights are the oft discussed part of part of Las Vegas, it should be noted that similar to Beauty Behind the Madness, the desert that surrounds Las Vegas is just as important to the juxtaposition of its beauty. The "Until I Bleed Out" video ends/"Snowchild" video in the desert, similar to the confrontation between Robert De Niro’s and Joe Pesci’s showdown in the desert in Casino, as well as Joe Pesci's death in Goodfellas. The idea of a hedonistic desert playground also bears semblance to Westworld, both the film and the TV show. The desert seems to represent some sort of freedom to The Weeknd, as the "Snowchild" video portrays the desert as a pensive location for reflection, as well as the "In Your Eyes" video showing the girl prominently dancing with the dismembered head out in the open, in reference to The Texas Chainsaw Massacre, another prominent desert film.
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New York/The Safdies
Despite it’s Las Vegas setting, After Hours also takes a good amount from films set in New York, most notably Martin Scorsese’s 1983 film After Hours. Besides the title, After Hours is similarly about a twisting and turning nighttime odyssey. The film stars Griffin Dunne as Paul, a working class stiff who heads downtown to rendezvous with a woman he met at a diner earlier that night. Of course, things don’t turn out the way they should, chaos ensues, and Paul is set on a dangerous trek back uptown. Like the film, the album After Hours is set off by a woman (though the album takes more stock in romantic endeavors), seems to be set over a single night (or at least a condensed period of time), and involves similar chaos and misadventures (sirens at night at the end of Faith). Tonally, After Hours the film is more comedic perhaps than After Hours the album, however The Weeknd is on the record as having said that "Heartless" and "Blinding Lights" placement on the album is intended to be somewhat comedic, reflecting exaggerated machismo and ecstasy, respectively (to comedic effect).
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Another of the most prominent filmmakers of After Hours are the Safdies, who featured The Weeknd in Uncut Gems. They also served as a link to Oneohtrix Point Never, who scored their last two films and later worked After Hours. I believe there are three major film tropes (not genres) that inspired After Hours, all of which the Safdies’s have engaged with. There is the one-long-night films, in which a character spends one-long-night on the run from whatever chaos and forces may be that they left in their path. This can be seen in the Good Time, as well as After Hours (the movie). Then, there is the descent-into-madness type, where a character slowly loses grip with reality and ends up in over their head (something like Scarface or Breaking Bad, but for our purposes Jacob’s Ladder can be categorized here as well), which the Safdies did with Uncut Gems. Lastly, but maybe most importantly, the Safdies also explored toxic romance (more on this later) in their less seen film Heaven Knows What, about two heroin addicts and the destructiveness their love brings out in each other, an idea that recurs throughout After Hours on songs like "Until I Bleed Out" and "Nothing Compares." A recurring song throughout Heaven Knows What is Isao Tomita’s synth version of Debussy’s "Claire De Lune", which is featured in some episodes of Memento Mori and bears some resemblance to the start of "Alone Again".
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Obsession/Toxic Romance
While love and lust and the ups and downs with it have been a formative part of The Weeknd’s ideology and themes, I don’t think it would be remiss to say that After Hours is perhaps his most outwardly romantic album. Despite this, one of the major arcs of the album is toxicity that comes with it, which a number of already mentioned films deal with. While "In Your Eyes" is one of the more romantic and accessible songs on the album, a re-assessment of it Ala Sting’s “Every Breathe You Take” could frame it as lonely obsessing, such as Travis Bickle’s infatuation with Jodie Foster’s teenage prostitute Iris, Joker's fixation on Murray Franklin, Rupert Pupkin’s obsession with Jerry Langford. Casino also deals with toxic romance, another prominent theme in After Hours, best seen in the love triangle that forms between Sam, his partner Nicky and his wife Ginger, played by Joe Pesci and Sharon Stone respectively.
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In almost all of the After Hours’s video content, The Weeknd seems to constantly meet his demise at the hands of women. Another interesting reference that may be something of a reach is to Phantom Thread, Paul Thomas Anderson’s film about Reynolds Woodcock, a couture dressmaker loosely based on Cristobal Balenciaga and his muse Alma, played by Daniel Day Lewis and Vicky Krieps, respectively. The film delves into their dysfunctional relationship, with Woodcock berating her and Alma poisoning his tea to keep him dependent on her. One of the highpoint of the film is a New Years Eve Party that bears strong resemblance to the "Until I Bleed Out" video. While the balloons may just be a callback to his earlier work, there is something about the color grading/temperature and the production design of the "Until I Bleed Out" video (as well as parts of the "Blinding Lights" video) that made me immediately think of Phantom Thread. A similar relationship is seen in the German horror film Der Fan, which The Weeknd has mentioned in a recent interview. In Der Fan, a young girl Simone spends her days obsessing over popstar R, until she finally encounters him outside his studio. The film is similar to the aforementioned Takashi Miike’s Audition in its exploration of obsession and idealization. In the film, an older man puts up a fake casting call to search for the perfect girlfriend. While Audition explores these themes from an Eastern perspective of societal pressure, Der Fan explores it through a Western lens of pop idolization and idealization. Both films deal with the idea that despite outward appearances, the perfect partner does not exist, and anyone that claims to be (or has the expectations put on them) is not who they seem.
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One film he has spoken at length about is Trouble Everyday, Claire Denis’s arthouse vampire movie. The film stars Vincent Gallo as Shane, a scientist who travels to Paris under the guise of his honeymoon to track down core, a woman who he was once obsessed with who has now become a vampire. Core is locked up in a basement but sometimes sneaks out to seduce and consume unwilling victims. This seems to be where some of the bloody face stuff comes from, but I believe it’s influence is a little more conceptual. To me, a good companion film to Trouble Everyday is American Psycho, which seems to also have been a thematic influence on After Hours. Both films concern idealized version of masculinity and femininity, both very sexual and physical, but hostile as well. American Psycho ends with Patrick Bateman confessing to the killing of a prostitute, but no one believe him. Trouble Everyday ends with Shane killing Core, but Shane is unable to arouse himself after that except through violence. Koji Wakamatsu, a former Yakuza turned prominent extreme Japanese filmmaker (and a major influence on Gaspar Noe) is quoted as saying “For me, violence, the body and sex are an integral part of life.” Despite being hollow, idealized impressions of the self, a vampire and as a banker (cold, seductive bloodsuckers = monsters), Patrick Bateman and Core represent the Frankenstein-ian relationship between sexuality and violence, which I believe is the main theme of After Hours. Truly, we hurt the ones we love.
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Postscript

To cap things off, I would just like to illuminate some key takeaways. As a filmmaker myself, this has been an extremely helpful exercise in understanding other artists process and ideas.
Steeped in the history of the medium…
It’s clear that The Weeknd is not your typical “I’m influenced by cinema” artist but an extremely legit film buff with serious credentials. The Weeknd’s film taste leans towards 70s-00s genre works, mostly horror, drama and thriller, and is well versed in the classics but also has the nose to sniff out deeper cuts and obscurities. The mantra of “good artists borrow, great artists steal” works even better if not many people know where you’re stealing from! What is impressive to me is that he is not just versed in “mainstream” obscurities, but also serious deep cuts. Films like Possession and Phantom of the Paradise may not stick out to the average person on the street but are well known in most film circles. Films like Inland Empire and New Rose Hotel (Der Fan was especially impressive to me, it is one of my favorite films) however are not as well known and it is very impressive to me that he can come across films like that, and really get enough out of it to bring into his own work.
…is able to interpolate contemporary/mainstream films…
This perhaps is one of the most impressive aspects of his integration of film into The Weeknd’s work. It is very easy for film buffs to get lost within their own obscure taste, living in a world where everyone is an idiot for not knowing who Shinya Tsukamoto. Trilogy and Kiss Land had a lot of contemporary obscurities, like Stalker, David Lynch etc., well known but they still existed as artifacts, not of the time we live in. However, perhaps picking something from his work on Fifty Shades of Grey, of late he has kept his finger on the zeitgeist and anticipated/integrated what the filmmakers of today are doing, such as his work on Black Panther and Game of Thrones, general appreciation of Tarantino, the works of Nicolas Winding Refn in Starboy, and his use of the Joker and Uncut Gems on After Hours, both of which came out just a few months before the album. It feels Jackson-esque, and I believe this is one thing that will help him further in his quest for pop stardom.
…while also being fully in tune to the works of modern transgressive auteurs…
In addition to keeping up with the mainstream is in touch with, The Weeknd also makes it a point to seek out and learn from the cutting edge filmmakers of today. While the Safdies were always going to blow up, I don’t doubt that a Weeknd co-sign accelerated their rise. Gaspar Noe is one thing, Enter the Void and Irreversible exist as masterpieces of the mainstream obscurities I’ve been mentioning, but he really truly tries to understand the heart of Noe’s work, even going so far back as to understand Noe’s influences (I sincerely hope he is tuned in to the work of Koji Wakamatsu). But most of all, to be a fan of Claire Denis is one thing, but to seek her out and make her an offer that she ACCEPTED is absolutely astounding to me. Just spitballing but it would be like if Michael Jackson shot a music video with Rainer Werner Fassbinder (who I’d bet good money that The Weeknd was put on to by Noe). We can only PRAY that one day we will be blessed with a David Lynch Weeknd video.
---------------------------
…and that just about does it. Hope you enjoyed this and thanks for being patient with me. I got quite busy after the first two and had my own projects/work going that kept me occupied. As we’re still technically in the After Hours era, I also wanted to wait until a few more videos and interviews came out to aid me in my research.
I also wanted to find enough time to make the Letterboxd for this. I personally don’t love Letterboxd culture, I find the popular culture surrounding the site a bit snobbish and exclusive, but I’ve gotten a number of requests for one and you gotta give the people what they want. Throughout the list are a few films that he hasn’t mentioned but are some of my personal favorites and I believe Weeknd fans will like, I encourage you to accidentally stumble upon things on it. Don't overthink, just pick something and watch!
If you’d like to follow me further, you can find me on Instagram here, where I post about film reviews Letterboxd style. I prefer Instagram so that more average people see it instead of an echo chamber of film snobs. I am also a filmmaker myself, I just recently wrapped this short film and am currently in the process of putting together my next project.
The main reason I did this however, besides a general appreciation of The Weeknd’s work, was to put more people on to the beautiful art form that is cinema. One thing I learned from Scorsese is that one must be an advocate and truly champion your medium. I hope that this encourages to check out more interesting movies than they wouldn’t normally come across, and I hope this will inspire more people to create more as well, whether it be to write, make films, music, anything. If even one person picks up a pencil, a camera or a keyboard because of these posts, I will be satisfied.
Thanks all!
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Streak 32: Los jugadores de blackjack

Si juega al blackjack en un casino en Las Vegas, generalmente va a encontrar jugadores de cuatro categorías:
  1. Los fiesteros - Personas más joven que vienen en grupos. Ellos están de vacaciones, tienen muchos tragos encima. Si solo hay dos sillas disponibles y su grupo cuenta con más, lo demás van a ponerse detrás de sus amigos para gritar su apoyo, dar consejos, y compartir sigilosamente con los tragos gratis que el casino regala a los jugadores. Cuando los fiesteros están en la mesa va a estar el lugar más ruidoso en el área.
  2. El conejo tímido. Puede ser alguien solito o puede ser una parejita. Ellos siempre están muy nerviosos, y les gusta que los otros jugadores les echen la mano con sugerencias. El conejo va a apostar el mínimo cada partida, se ve avergonzado cuando gana, y cuando ha perdido todas las fichas que canjearon va a despedirse de todos y pisarse.
  3. El experto falso - Este guerrero viejo pasa mucho tiempo en el casino y se considera a un talento raro, pero no es. Su jugada está basada en las supersticiones más que la matemática, y suele variar sus apuestas mucho con presentimientos al azar. Al experto falso le encanta dar sugerencias no deseadas, lleva muchas joyas, fuma continuamente, y pide cócteles que suenan sofisticados.
  4. El perito - Este man es realmente más hábil. Es muy callado y prefiere la última silla, de hecho él va a recoger sus fichas y moverse cuando otra persona sale de su puesto predilecto. Le molesta mucho cuando alguien hace una jugada equivocada, hasta que vaya a acusar a alguien más de haberle robado a su plata por haber pedido un naipe cuando no estuvo la jugada correcta. A veces, el perito utiliza gafas oscuras, no para mantener una ventaja sino para visajosear.
submitted by SomewhatCleanPelican to WriteStreakES [link] [comments]

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Walking Thru Bellagio on the Las Vegas Strip - YouTube

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